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Masters' Secrets to Taiji Practice
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The
I Ching, Guide to the Magic in Life
Paul Gallagher Just
before dawn...in the crisp, late Winter air of the Kingdom of Chou some 3000
years ago...It is Feb 5th, a day that later comes to be known as Li Chun,
"Beginning Ch'i of Spring." Time for the Spring Divination, when the
shamans and diviners of the Royal Court come to prognosticate the most
auspicious time for planting the new crops. At
the very break of day, to the rhythmic throbbing of deep drums and the lilting
trill of ceramic and bamboo flutes, the royal Diviners come into the palace
courtyard, arrayed in robes of brilliant color. The last of the Diviners, the
King's Master of Portents carries in his arms a bundle of three foot long
Siberian Yarrow stalks. The King poses the query about the most auspicious day
for the Spring planting. As the drumbeats accelerate and the flutes play to a
crescendo of intensity, the Master Diviner throws wide his arms and the several
dozen yarrow stalks are flung to the ground. Peering
at the patterns displayed by the stalks, the Master Diviner begins to utter
cryptic divinatory phrases:
"Dense clouds, no rain from the Western Border..."
"...Place white rushes underneath with caution..."
" The Prince shoots a hawk on the high wall..." Such
are the origins of the I Ching or Classic of Changes, the most
profound book of ancient China. The patterns displayed by the Yarrow stalks
became codified into 64 linear figures which we know in the West as
"Hexagrams." And the early divinatory phrases of the Shang Dynasty
diviners were gathered into short poems which described each Hexagram as a
whole, and then each separate line. Today
the I Ching is used most often in the West as a book of divination to
solve life's complex problems. In China it is used (mostly by a few scholars)
primarily as a book of Wisdom to be studied for a lifetime. The
paradox is that most Westerners who "toss the coins" to divine from
the I Ching have little or no knowledge of the book's origins,
history, or subtle layers of meaning and imagery. And the Chinese scholars, who
know the history and imagery are typically
too modest to use the book for divination, but use it as a repository of
Wisdom. Oddly,
though, in some ways Westerners are closer to the mark than many I Ching
scholars. for while the I (short for I Ching) has become
encumbered by countless layers of
commentary and scholarship in China, it was originally a book of shamanic
divination through which an ardent questioner could get a "direct
perception into the heart of things" by suddenly understanding the inner
meaning of an image or life situation. I'll
illustrate at the end of this article. Right
now I'd like to give you a way to study and learn from the I Ching and
from Life in a way that more closely approximates what I believe to be the
original shamanic intent of the Book. This
article is the result of my more than 35 years of studying the I, using
it in divination, and trying to absorb its wisdom. Let's get right into a real
practical approach:
THE
BEST WAY TO "STUDY" THE I CHING 1)
Learn Trigram imagery really well. The Trigrams are the three-lined
figures which compose each Hexagram. Each Hexagram is composed of four
Trigrams, two Major (the top and bottom Trigrams) and two Minor (the
Intermediate). Let's talk a look at one here:
Hexagram # 35
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The
Lower Trigram K'un represents the earth, and the Upper Trigram represents the
Sun; hence the Sun rising over the Earth, a most auspicious omen. But if we
look at the Intermediate Trigrams we see Ken (Mountain) and K'an, an Abyss, so
there is a mountain (or steep mountain path) and an abyss facing us somewhere
within this seemingly auspicious
situation. By
studying Trigram imagery carefully for a period of time and by observing
Nature, people, and situations
from the perspective of imagery (almost archetypal imagery--such as Mountain,
Stream, Sun, Moon, Father, Mother, Horse, Wagon, etc., etc.) you will
eventually be able to see and interpret the complex layers of symbols in the I
Ching and thus refine the quality and relevance of information you get
when you use the I in divination. There's
an important point here--one which confuses
many Westerners who wish to learn from this most august Classic of
Wisdom. The specific references in the I Ching must be interpreted
symbolically. Thus a "King" or
"Prince" is not so much a male authority figure as ANYONE IN
CHARGE OF A SITUATION. A woman CEO of a company might well be referred to as
"King" by the I Ching, since there was no designation of
"Female CEO" at the time and in the society when the I was written. Going
back to Hexagram # 35, the poem descrbing the Hexagram as a whole says, 'The
Feudal Lord is gifted with numerous horses. In the course of one day, he is
granted audience three times."
In
the appropriate circumstance, this poem could refer to a woman Vice President
of a major corporation who is given a substantial raise and/or bonus and who
receives a special honor from the CEO. The
I speaks in the language and imagery of its own time and that imagery
must sometimes be modified to fit modern circumstances. 2)
Once you have learned the Trigram imagery really well, begin to read
the I Ching each day, just one Hexagram at a time, and only the
original layers of the book, what translator Richard Wilhelm calls the
Judgement, the Image, the Lines. That's enough for beginners. Leave all the
ancient and modern interpretation alone. Just let the original images speak to
your own heart and mind and create their own wellspring of wisdom for you. Reading
one Hexagram a day, and even taking some "days off," you can read
the entire I Ching about 5
times in a single year--50 times in ten years! I guarantee, only the minutest
fraction of Westerners who divine by the book have done this. Yet, the book is
like a quilt of recurring patterns. Only by understanding the WHOLE can you
understand any individual Hexagram and its lines; and only by understanding
each Hexagram thoroughly can you understand the Whole. Have
fun with this! It will be an amazingly revealing process. As
regards translations: Richard Wilhelm/Cary Baynes' I Ching is still the
standard in English, though there is a heavy overlay of modern Confucianism.
R.L. Wing's I Ching Workbook is an excellent interpretation for brand
new beginners, but lacks the original poetry with its archtypal images which
resonate in the deeper "subconscious" levels of the mind--from which
our intuition comes. Richard
John Lynn's Classic of Changes is an excellent scholarly translation,
using the classic Wang Bi Commentay upon most Chinese interpretations are
based. My favorite, however, is Yi Jing by Wu Jing-Nuan, who attempts
to return to a more shamanic approach to the I. Finally--how
do you pose a question to the I? First,
make sure you have reflected (or meditated) on what your REAL question is.
Often what we think is our question only masks a deeper issue we haven't yet
come to terms with. Sometimes a deep reflection on the question makes a
divination unnecessary! If you do resort to divination, first clarify the
question; then ask a single question, never a run-on such as "What is the
likely outcome if I do this, and this, and don't do that?" This type of
question cannot be properly addressed by the I. Ask a single,
straightforward question. Always ask in the positive ("What is guidance,
or what is a likely outcome if I DO such and such?"). Do not ask,
"What will happen if I don't do such and such...?" When
you receive the divination (by counting yarrow stalks or tossing coins, or
even by computer), allow enough time to let the answer soak into your heart
and soul. Sometimes the answer will be obvious; often the full meaning will
only unfold over time. At
the beginning of this article, I mentioned that I would show you a sample
divination and its interpretation. Some years ago, a man took one of
my one-day intensive seminars on the I Ching. As I recall, he had
had a very modest amount of previous knowledge ofmthe book. He
wrote to inform me that he was now planning to offer seminars on the I
and had asked the I for guidance. The
I Ching had responded with Hexagram # 18 "Work on What has been
Spoiled." That is Wilhelm's
title for the Hexagram; the original Chinese character shows a bowl full of
venomous worms! The Hexagram describes a situation in which difficulties from
the past must be addressed, or cleaned up before life can go on. The changing
line my friend received was the third line, "Setting right what has been
spoiled by the father; a little remorse, no great error."
Original
Hexagram: (#18)
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The
derived Hexagram (written after changing the changing line) was #4 Youthful
Folly.
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I spent a little while puzzling over the meaning, contemplating what possible
matters must have occurred previously that my friend would have to clear up,
etc. But none of my speculations really seemed to connect with the situation. Finally,
I just looked at the Hexagram to get a more immediate perception and
here's what I saw: Upper
Hexagram Ken: Mountain Lower
Hexagram Sun: Wind or Wood,
commonly depicting a Tree So
we see a tree standing before a huge, majestic mountain. And the one changing
line, #3, is at the very top of the tree! The changing line represented my
friend. So the I is telling him he is like a man sitting in a treetop
(with a limited perspective) looking up at a huge mountain (The Sage is often
depicted as a mountain). as if to reinforce the point, the derived Hexagram
shows the "young fool" addressing the Sage. The
I definitely has a "sagely" sense of humor! Use
the I Ching to bridge the rational and intuitive sides of your brain and
give you a sense of the ongoing flow of magic in life. Have fun! And enjoy the flow of Change...
(C)
Copyright Paul B. Gallagher, all rights reserved |
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